THE GESTURES AND SOUNDS OF CARAVAGGIO IN A FILM
By Dinko Fabris
[…] it is an absolutely original product, indeed unique in the filmic panorama of our time. […] not a cinematographic transposition of a theatrical piece; not a documentary; not a musical film or even a ballet. The film (like the show from which it derives) does not use a screenplay with a modern text, but rather frames pictures as slides in a presentation and uses the quotes of ancient texts to make a “story” result from the set of movements, colors, lights , sounds and words […] AAM-TAC – Dinko Fabris